Every card carries a fact about European colonization in North America. Every card belongs to one camp — Spanish, French, Dutch, British — and covers one issue — economy, religion, Native relations, settlement, rule and law. The card tells you neither. Working out the camp is the game.
Three questions crack most cards. Does this sound like trade, farming, or mining? Does religion or tolerance play a big role? Are Native relations built on alliances or control? Teach that pattern first, and the deck does the rest.
This is a table game, not a browser game. The demo below is for the projector: run a few turns with the class so everyone sees how a turn works, then print the decks and play it for real.
Your hand. Pick a card to play — then say which camp it belongs to.
At a real table nothing is revealed and nobody checks a screen — the players judge each other. That is what the challenge rule is for, and it is why bluffing works.
Play a card from the same camp as the top card and say the camp out loud. That is the whole turn — you never have to name the issue.
“French.”Stuck in a camp you do not hold? Play a different camp’s card that is about the same issue, and say both. The camp is now yours. It is the hardest move in the game.
“Dutch. Same issue — religion.”Think a declaration does not hold up? Call it. Wrong, and they take the card back and draw 2. Right, and you draw 2. Nothing is printed on the cards, so you can bluff — and that is the point.
Holding a card that matches the top card on both camp and issue? Lay it down as a second card after your play — the only way to shed two facts at once — or slap it down out of turn. Hard to spot, since neither is printed anywhere.
Draw one card and play it if it fits. Still stuck, draw again — up to three — then your turn ends. Not knowing the material costs you tempo, every single turn.
First player out of cards wins. At one card left, say “Wit!” — caught silent and you draw 2. You cannot go out on a Wild Wit; the last card has to be a fact.
Play it on anything except a Devil’s Advocate. Then name the camp that comes next.
Your whole turn. Play it with any card, even one that matches nothing. Name that card’s camp and argue the connection. The table judges.
The next player may not match the camp, and no action card will save them. Cross over on the issue, or take a flat draw of 2 — no digging.
One PDF, 86 pages: a rules sheet, a teacher answer key, and seven complete decks so a class can play seven tables at once. Card backs are numbered by deck, so a card found on the floor tells you which deck it belongs to.
Print double-sided, flip on the long edge, and cut on the lines. Cards are 2.4″ × 3.2″, nine to a sheet. Print at 100% — not “fit to page” — or the sizing drifts.
Every image in the deck is in the public domain, sourced from Wikimedia Commons. No AI-generated art is used anywhere in this deck — a history game is the wrong place for a convincing fake. Among them: Champlain’s own 1613 engraving of his battle alongside Huron and Algonquin allies, his Habitation de Québec, the c.1626 print of Fort New Amsterdam, Romeyn de Hooghe’s etching of the Portuguese Synagogue in Amsterdam, Saenredam’s austere interior of the Grote Kerk, Titian’s Philip II, Rigaud’s Louis XIV, a 1740 view of St. Augustine, José Joaquín Magón’s casta painting El Mestizo, Underhill’s 1638 plan of the Pequot fort, and the 1788 Brookes stowage diagram. A few images are later depictions of the era rather than contemporary prints — the Pueblo Revolt mural (1936), Boughton’s Puritans Going to Church (1884), and the 1920 Mayflower Compact stamp.